"YES" SEASONAL CHANGE OF PARTS. Finding those who have in stock several sets of curtains and bedspreads is an extremely difficult task. Very vain. After all, such a simple technique as a seasonal change of textiles can radically transform the interior.
LEAVE SPACE FOR MANEUVERS. As practice shows, to fully plan the upcoming purchases of decor and strictly adhere to this plan is an almost impossible task. Therefore, it is better to leave a little free space, which will take the fruits of impulsive purchases.
STORAGE SYSTEMS: BETTER MORE THAN LESS. Storage systems are not only sliding wardrobes, dressers and mezzanines. No less important in the interior are boxes, vases and bowls, where little things are added. So the interior will give the impression of an orderly and neat.
THE CONTENT OF THE DECOR IS AT LEAST IMPORTANT THAN ITS FORM. In order to choose a decor that fits harmoniously into the interior, a good decorator should know how and what it is made of. After all, the content is invariably reflected in the form. For example, putting a flower pot on the window from material that is not resistant to fading, after a couple of months you can find it has lost its original color.
BEIGE IS NOT SO BAD AS ACCEPTED TO THINK. In recent years, in professional circles of decorators and designers it is generally accepted that the interior in a beige palette is a relic of the past. But such a categorical approach to the choice of colors is not justified. Cream, ivory or cappuccino, ecru, powdery ... There are a lot of shades of beige, and by combining them together you can create a truly impressive design.
CEILING IN COLOR OF WALLS - MAXIMUM COMFORT. The ceiling and walls of the same color - an excellent reception of decorators, allowing you to visually increase the height of the room. In addition, another positive effect is achieved - the atmosphere in the room becomes as comfortable and relaxing as possible.
CHOOSE ONE OF THREE PRINCIPLES OF FURNITURE SETUP. Everyone knows that it is better to refuse to place furniture along the walls. But what are the alternatives? The first option is a symmetrical arrangement, that is, around a certain point in the room (for example, the center of a room or window). The second is asymmetric, that is, not amenable to logic. The third is a circular arrangement, which differs from symmetrical in that the reference point may be a minor interior detail. For example, a chandelier or drawing on the carpet.