LEARN THE COMBINATION OF FLOWERS FROM GREAT ARTISTS. If you have problems with self-selection of colors or using the classic color wheel seems too boring, then try to use the color scheme of paintings by great artists as an example. Choose the masters that are closer to you - Matisse, Monet, Klimt ... The list goes on and on.
OWNERS 'HOUSES AND DECORATOR - NOT OPPONENTS, AND PARTNERS. The optimal scheme of interaction with customers that decorators adhere to is a productive interaction, which is commonly referred to as "we".
LUXURY OF COMPLEX FACTS FOR FURNITURE UPHOLSTERY. The usual version of upholstery for furniture is a dense, lint-free fabric. But it is worth abandoning it in favor of fluffy upholstery, and the interior will look in a new way. It is not necessary to decorate all furniture with artificial or natural fur. One or two items in the room will be enough.
BEIGE IS NOT SO BAD AS ACCEPTED TO THINK. In recent years, in professional circles of decorators and designers it is generally accepted that the interior in a beige palette is a relic of the past. But such a categorical approach to the choice of colors is not justified. Cream, ivory or cappuccino, ecru, powdery ... There are a lot of shades of beige, and by combining them together you can create a truly impressive design.
INCREASED ATTENTION TO THE BEDROOM. It is the bedroom to the maximum extent reflects the personality of the owners of the house. After all, here they remain alone with themselves or with the closest people. Therefore, increased attention to its decoration is necessary.
DARK TONES - NOT ONLY FOR BIG ROOMS. A small room, dominated by dark tones, looks no worse than light. Conversely, saturated colors dominate the boundaries of space, diverting attention from its modest size.
CHOOSE ONE OF THREE PRINCIPLES OF FURNITURE SETUP. Everyone knows that it is better to refuse to place furniture along the walls. But what are the alternatives? The first option is a symmetrical arrangement, that is, around a certain point in the room (for example, the center of a room or window). The second is asymmetric, that is, not amenable to logic. The third is a circular arrangement, which differs from symmetrical in that the reference point may be a minor interior detail. For example, a chandelier or drawing on the carpet.