SMALL PHOTOS - ON A TABLE OR SHELVES, BUT NOT A WALL. Many miniature photos or other images decorating the wall are perceived as visual noise. But on the table or shelves they look appropriate. It is advisable to arrange such decor in similar or identical frames.
FREEDOM OF THE CENTRAL PART OF THE TABLE. Huge bouquets standing in the central part of the table most often look disharmonious, and also make communication between people who eat food difficult. A massive vase with large flowers is best replaced with a wicker basket or a decorative pot with several flowering plants. .
EXPERIMENTS WITHOUT FEAR. It often happens that things in reality do not look like in the picture. But such a discrepancy should not become a cause for grief. On the contrary, take it as a pleasant challenge that encourages improvisation.
OWNERS 'HOUSES AND DECORATOR - NOT OPPONENTS, AND PARTNERS. The optimal scheme of interaction with customers that decorators adhere to is a productive interaction, which is commonly referred to as "we".
MORE LIFE THAN JEWELERY. Decorating a room, it is better to remember that the end result that you should strive for is not a beautiful picture for a magazine, but a space where a high quality of life will be ensured.
FIND A SOURCE OF INSPIRATION FOR DECORATION. When choosing the direction in which to move, choosing a decor, we recommend that you forget the concept of "style". A more reasonable step would be to search for sources of inspiration, images that I would like to see in the interior. Ideas can be gleaned from paintings, films, music. For example, a room decorated in the spirit of the famous film "Breakfast at Tiffany's" will look interesting.
FACTOR IS INTEGRAL FROM COLOR. Most books on design and decor show a tendency to separate color from texture. So, for the interior they think over the color scheme, but no one thinks about the texture map. Professional decorators recommend initially considering color and texture in relation to each other. After all, the texture affects the balance of light and shadow, and therefore the perception of color.