EXPERIMENTS WITHOUT FEAR. It often happens that things in reality do not look like in the picture. But such a discrepancy should not become a cause for grief. On the contrary, take it as a pleasant challenge that encourages improvisation.
BALANCE OF LIGHT AND SHADOW. In many ways, the appearance of a living room is determined by how balanced light and shadow are in it. Therefore, proper illumination is very important. For example, for the convenience of staying in residential lighting, a multi-level layout of lighting fixtures is mandatory. Lighting also affects the perception of colors.
THE CONTENT OF THE DECOR IS AT LEAST IMPORTANT THAN ITS FORM. In order to choose a decor that fits harmoniously into the interior, a good decorator should know how and what it is made of. After all, the content is invariably reflected in the form. For example, putting a flower pot on the window from material that is not resistant to fading, after a couple of months you can find it has lost its original color.
CLASSICAL RULE OF THREE. Items collected in a composition of three should differ in three ways - shape, color and size. For example, you should not put three identical photos on the mantelpiece. It is preferable to choose a photo, a vase and a book as a decor - objects that differ in each other according to all the mentioned signs.
"CORRECT" CURTAINS - WITH WEIGHTLIGHTS AND TEN. In order for the curtains to form beautiful folds, braid should be sewn in their upper part, and weighting agents should be located in the lower part. The lining for curtains will not be superfluous: it provides excellent sound insulation and prevents them from fading under sunlight.
GOOD TASTE - THIS CONDITION. At first glance, the concept of "good taste" is fundamental in the design and decoration of the interior. But in reality it is conditional. It is better to focus not on observing the boundaries of good taste, but on whether a particular decorating solution is suitable for a particular room.
TEXTILE SETS MOOD. If the design of the room does not produce the expected effect emotionally, then change the textiles in it. This is the most affordable way to change the atmosphere of a living space.