SMALL PHOTOS - ON A TABLE OR SHELVES, BUT NOT A WALL. Many miniature photos or other images decorating the wall are perceived as visual noise. But on the table or shelves they look appropriate. It is advisable to arrange such decor in similar or identical frames.
MORE FANTASY WHEN CHOOSING PLACES FOR ART SUBJECTS. The picture hanging over the sofa is a standard variant of interior decoration with paintings. But in this case, she is behind the back of most people in the room. Select for the picture a place where they will really look at it. For example, in the corridor.
TIME MANAGEMENT IS NECESSARY IN THE CREATIVE PROCESS. After the choice of finishing materials is made, immediately proceed to their purchase or order. Refuse to be overly optimistic about delivery times. It is much more reasonable to assume that various delays and delays of suppliers are the norm, and not an exception to the rule. This principle will save a lot of time and energy. But do not forget to find a place in advance to store all the ordered materials and things.
LUXURY OF COMPLEX FACTS FOR FURNITURE UPHOLSTERY. The usual version of upholstery for furniture is a dense, lint-free fabric. But it is worth abandoning it in favor of fluffy upholstery, and the interior will look in a new way. It is not necessary to decorate all furniture with artificial or natural fur. One or two items in the room will be enough.
DARK TONES - NOT ONLY FOR BIG ROOMS. A small room, dominated by dark tones, looks no worse than light. Conversely, saturated colors dominate the boundaries of space, diverting attention from its modest size.
CEILING IN COLOR OF WALLS - MAXIMUM COMFORT. The ceiling and walls of the same color - an excellent reception of decorators, allowing you to visually increase the height of the room. In addition, another positive effect is achieved - the atmosphere in the room becomes as comfortable and relaxing as possible.
CHOOSE ONE OF THREE PRINCIPLES OF FURNITURE SETUP. Everyone knows that it is better to refuse to place furniture along the walls. But what are the alternatives? The first option is a symmetrical arrangement, that is, around a certain point in the room (for example, the center of a room or window). The second is asymmetric, that is, not amenable to logic. The third is a circular arrangement, which differs from symmetrical in that the reference point may be a minor interior detail. For example, a chandelier or drawing on the carpet.