ATTENTION TO SCALE. A moment that at first glance seems obvious, but is not always respected - the proportionality of details to the interior as a whole. So, a huge picture in a small bedroom will look like an alien element, like a miniature sofa in a spacious living room.
LEARN THE COMBINATION OF FLOWERS FROM GREAT ARTISTS. If you have problems with self-selection of colors or using the classic color wheel seems too boring, then try to use the color scheme of paintings by great artists as an example. Choose the masters that are closer to you - Matisse, Monet, Klimt ... The list goes on and on.
FOLLOW-UP OF WORK. In order to avoid unnecessary problems, think in advance the sequence of work on decorating and decorating the premises and follow it. Otherwise, it may happen that the wall, already pasted with wallpaper, will have to be ditched.
THE CONTENT OF THE DECOR IS AT LEAST IMPORTANT THAN ITS FORM. In order to choose a decor that fits harmoniously into the interior, a good decorator should know how and what it is made of. After all, the content is invariably reflected in the form. For example, putting a flower pot on the window from material that is not resistant to fading, after a couple of months you can find it has lost its original color.
DO NOT BE AFRAID OF ERRORS. Without bold experiments, not a single outstanding interior was created. Better to make a mistake and fix it, than miss the opportunity to achieve impressive results in the decoration.
STYLE - THIS CONDITION. Denying the boundaries of existing styles is not part of our plans. But in the process of decorating living space, you should not strictly observe them. Much more important is how the owners of the house feel themselves in it, and not the full compliance of the design with a certain style.
CHOOSE ONE OF THREE PRINCIPLES OF FURNITURE SETUP. Everyone knows that it is better to refuse to place furniture along the walls. But what are the alternatives? The first option is a symmetrical arrangement, that is, around a certain point in the room (for example, the center of a room or window). The second is asymmetric, that is, not amenable to logic. The third is a circular arrangement, which differs from symmetrical in that the reference point may be a minor interior detail. For example, a chandelier or drawing on the carpet.